Found this in an old New Yorker discard years back. It's clipped and pasted in an old journal...somewhere. Horse Piano Anna MacDonald The idea is to get a horse, a Central Park workhorse. A horse who lives in a city, over in the hell part of Hell’s Kitchen, in a big metal tent. You have to get one who is dying. Maybe you get his last day on the job, his owner, his tourists. You get his walk back home at the end of the day, some flies, some drool. You get his deathbed, maybe. And then, post mortem, still warm, you get the vet or else the butcher to take his three best legs. And then you get the taxidermist to stuff them heavy, with some alloy, steel, something. Next day you go over to Christie’s interiors sale and buy a baby-grand piano, shabby condition but tony provenance, let’s say it graced the entry hall of some or other Vanderbilt’s Gold Coast classic ...